Ghost Reef (2020-ongoing),
Xandra van der Eijk

She/her — NL

Exhibition: Mutation
Wednesday 8 June till Sunday 19 June — Dokzaal

Opening | 17:00—23:00 (free admission)
Tue - Fri | 13:00—20:00
Sat & Sun | 10:00—20:00
Mon | closed

Life adapts, mutates and finds new forms of interdependency with its surroundings, even in intense human-influenced environments. With thousands of ship- and plane wrecks covering the North Sea floor, and a growing amount of structures such as fossil fuel rigs and windmills serving as substrates, new underwater communities are continuously forming. Each artificial reef can exist due to its particular geographical location, and so forms an ecosystem unique in its composition and identity. The reefs themselves can be considered time capsules, showing how the process of anthropogenic colonisation of the sea enters into the natural archive, as the overgrown shipwrecks, abandoned wells, and drilling platforms are entangled with ghosts of past and present activities in the form of old ammunition, fishing gear and lost cargo. 

 With Ghost Reef, Van der Eijk feeds the fantasy of a North Sea filled with patchy reefs in the spectator's imagination. Animated video collages with 3D models based on the scarce footage taken by divers are juxtaposed with field recording soundscapes taken at two locations: an oyster bank near the Brouwersdam in Zeeland located in the south of the Netherlands, and the wreck of the Ara, a steamship that was sunk by a mine in 1942, located north of Schiermonnikoog in the northern part of Dutch waters.

 The many artificial substrates in the North Sea are biodiversity hotspots. Cold water coral reefs surely play an immense role in the bigger ecosystem of the European continental shelf — however, they are barely researched nor protected. But North Sea coral is special: the many patches of reef demonstrate an unexpected emergence of life in an environment under immense anthropogenic pressure.

Ghost Reef, The Biennale of Sydney

Xandra van der Eijk is an artist researching the influence of the technosphere on evolutionary processes. With a distinct artistic-scientific methodology, she decentralises the anthropogenic perspective by re-interpreting a landscape through its materiality. She is presently pursuing her Ph.D. degree focussing on the role of artistic-scientific research in co-generating knowledge with nonhuman actants.

Van der Eijk is developing and leading MA Ecology Futures at the Master Institute of Visual Cultures (St. Joost School of Art & Design, NL) and is a researcher in the connected Biobased Art and Design Research Group (Centre of Applied Art, Research & Technology, NL) innovating ecocritical discourse and biotech methods in education. She is an associated researcher at Critical Media Lab (FHNW University of Applied Sciences and Arts Northwestern Switzerland, CH) co-le ading the discussion group "Planetary Ecologies" addressing critical environmentalisms and intersectional metabolics. 

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CREDIT
3D modeling: Sacha van den Haak
Sound design: Sébastien Robert
Project partners: WMR, NIOZ, Dutch Maritime Productions & Stichting Duik de Noordzee Schoon

 Ghost Reef was commissioned by Embassy of the North Sea, MU Hybrid Art House and Re-Nature Festival